Coats, Philosophical Musings

Will It Blend?

Will it blend?

And now you’re all “thanks for that, there goes my whole day.” The point was that my creative brain feels like a blender recently– I’m throwing all these ingredients in there and hitting “frappe.” Also I’m not sure my blender has a lid, nor do I have those cool safety glasses, but ah well. Creativity is a contact sport; don’t let anyone tell you otherwise. Things in my head right now: Coats (Duh) Largely double-breasted coats with a hint of military style. I really like the blending (oh there it is again) of styles– military mixed with whimsy, or bright color, or punk…

Via Yahoo Image Search– source unknown.


Jillian Lewis Trench

I am fascinated by the sculptural structures that can be created with just fabric and thread; particularly the work of Inaisce, and, of course, my hero, Alexander McQueen.


Alexander McQueen


Alexander McQueen


Alexander McQueen


Alexander McQueen





Also coats using riots of color or creative embellishments. Remembering that the details, while not always immediately noticeable, can be the thing that takes a garment from ordinary to special.


Via Simply Rebecca Studios; creator unknown




Balmain Summer 2010 collection


Red thread poetry dress by ruthrae, via Flickr



Jamie Avis Sharpie Coat


The question comes to me: Why coats? Why not dresses or, for that matter 2-dimensional art? Drawings and paintings?

I did not expect clothing to speak to me so deeply. I thought I was going to be a painter; make huge, meaningful canvases.

I have always had a deep interest in clothes, but it was a personalized interest, all wrapped up in my teen angst years. Defining what was “me” and what wasn’t; creating the self I was trying to become through the use of clothes. The clothes create the character, right? So dress as the person you wish you were. Turns out this means a lot more to me than I realized at the time.

In college I was an illustration major, and I got really into tattoo art, and body modification in general. I wrote my senior thesis on the evolution of tattoo art in America and it’s modern applications. There is something beautiful and deeply tribal about body modification– the way that it is both a quest of personal creation/evolution, AND a form of visual communication.  Over the years I have realized that the things that fascinated me in tattoos are not completely disparate from what interests me about fashion. We use tools like tattoos, hairstyle and clothing to speak, to identify,  to whisper incantations of what we are, think we are, or want to be.

These art forms are extremely dynamic– they exist actively in the world rather than in a gallery. They are constantly in flux, evolving. To work in the medium of fabric and fashion is a more interactive experience for me than I could achieve through more classical art forms. I feel like I am drawing inspiration up from myself, but I am also simultaneously having a conversation with the people who will eventually own, wear, and live in my pieces. I’m putting in little messages for them to decode and treasures for them to find.

This has been today’s philosophical diatribe. Can you tell I’m ramping up to apply for grad school?